Jeff always says, "In the cinema, everybody goes to sci-fi. Those are the biggest movies. But, in television, nobody wants to touch it with a barge pole." It's strange. I think it's because maybe there's a legacy of television shows that depicted sci-fi in a certain way that turns off a lot of viewers, so maybe there's a negative connotation.

We can't say anything, but just remember that, on Fringe, nothing is as it seems. There's always a little more to the story behind the story. He's definitely a large part, going forward. A lot of things will come full circle.

It took me a long time to get to a position where I can feel that, with my art, I'm capable of saying what I need to say, and once I finish it, I can sit back and say, "It's done, and I'm okay with that. People can judge it good or bad, and it doesn't matter. I'm okay with it because I said something I needed to say." That's a really hard place to get, as an artist.

It's so funny because, when the other world was being hatched and conceived, I just kept hearing, "Don't do that! That's a huge mistake! People love your characters. Why go to these new ones?" And I was like, "No, we can do this! I'm invested. Why wouldn't they be?"

First of all, directing was the most incredible experience. When you run a television show, directing is something that not many people actually get the time to do because you're so consumed with everything that's going on. You can't just disappear.

You just have to learn to get really good at choosing your moments and making sure that your story isn't overwhelmed by the effects, and that your emotional storyline is what's driving the train.

I grew up watching a lot of French cinema.