The ability of a television series to make adjustments is something you've got to take advantage of.

I feel like in telling stories, there are the things the audience thinks are important, and then there are the things that are actually important.

I think that the success of the film is as much about it being something that families could share as anything else.

I feel like obviously the standard for what TV looks like changes all the time.

I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.

When you work on something that combines both the spectacular and the relatable, the hyperreal and the real, it suddenly can become supernatural. The hypothetical and the theoretical can become literal.

My work isn't any more important than anything else in the family