Science fiction shows are traditionally about the gimmick or the gadget and tend to be emotionally cool to the touch.

You can only have one voice on set, and that has to be the director.

We all are big believers in the notion that as a species we are better together than we are apart, that the common core of our shared humanity is stronger than that which seeks to marginalize us and factualize us and turn us against each other.

Understanding is a three-edged sword. Your side, my side, and the truth.

Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?'' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.

If a person with a bullet in Dallas can change the world, imagine a person with an idea could do.

I've always been kind of a mutt creatively. I started off in journalism, and I've actually done more police and procedural shows than I've ever done science fiction shows. I was on 'Murder She Wrote,' I was on 'Walker, Texas Ranger,' I was on 'Jake and the Fat Man.'