The most beautiful stories always start with wreckage.

Pictures! Pictures! Pictures! Often, before I learned, did I wonder whence came the multitudes of pictures that thronged my dreams; for they were pictures the like of which I had never seen in real wake-a-day life. They tormented my childhood, making of my dreams a procession of nightmares and a little later convincing me that I was different from my kind, a creature unnatural and accursed.

I would rather that my spark should burn out in a brilliant blaze than it should be stifled by dry-rot.

The effect of civilization is to impose human law upon environment until it becomes machine-like in its regularity. The objectionable is eliminated, the inevitable is foreseen. One is not even made wet by the rain nor cold by the frost; while death, instead of stalking about gruesome and accidental, becomes a prearranged pageant, moving along a well-oiled groove to the family vault, where the hinges are kept from rusting and the dust from the air is swept continually away.

Love cannot in its very nature be peaceful or content. It is a restlessness, an unsatisfaction. I can grant a lasting love just as I can grant a lasting unsatisfaction; but the lasting love cannot be coupled with possession, for love is pain and desire and possession is easement and fulfilment.

As for the primitive, I hark back to it because we are still very primitive. How many thousands of years of culture, think you, have rubbed and polished at our raw edges? One probably; at the best, no more than two. And that takes us back to screaming savagery, when, gross of body and deed, we drank blood from the skulls of our enemies, and hailed as highest paradise the orgies and carnage of Valhalla.

You look back and see how hard you worked and how poor you were, and how desperately anxious you were to succeed, and all you can remember is how happy you were.