I was in a Montessori school. There was a drum circle with all the kids passing around a little bongo drum. I was the last person in the circle, and when it got to me I played 'Shave and a Haircut, Two Bits' - in front of all the parents. Blew the crowd away at five years old.

I don't like making my job easier. How are you accomplishing anything if there's no struggle? If I have to create a struggle that doesn't exist, I'll do that. Time and money constraints are a great way to do it.

My mother's the youngest of 10 children too, so we have sort of a special bond in that we know what that feels like. It's a strange spot to be in.

Smart art galleries know it's not the words on paper but the emotion in the piece that makes clients pull out the credit card or check book. The gallery's number one concern is will this stuff sell? What your bio, artist's statement or resume articulates will be of no help if you don't make art that connects with buyers.

I certainly wouldn't want a song that I'd already written to be used on a commercial. That seems strange.

That's what happens nowadays with people working on computers. They can so easily fix things with their mouse and take out all the, 'Oh, somebody coughed in the background; we need to take that out' - or somebody hit a bad note. Those are all the best moments.

I have very little interest in the bottom line or signing artists to help make the label profit. That's a lucky, unique position to be in, but it all comes out in the wash.