I think the sensitivity that you need to create certain things sometimes would spill over into things that shouldn't have bothered me.

When you know your work sells, then seeking a gallery or outdoor show is fine. Then, if an event or art gallery kicks sand in your face don't give up, keep moving forward. Use your brain and eliminate a lot of your personal agony. There are times when you should not take NO for an answer. But there are others when you should never put yourself in the place to be rejected to begin with. Seek the wisdom to know the difference and then go for it. Persevere in the face of disappointment.

I came up from growing up with a lot of Catholic guilt, a lot of punk rock, hipster guilt in the later years where I think people have thrown a lot of things on me. Where I always felt like I'm not supposed to tell the horn section what to play or I don't want to come off egotistical.

Smart art galleries know it's not the words on paper but the emotion in the piece that makes clients pull out the credit card or check book. The gallery's number one concern is will this stuff sell? What your bio, artist's statement or resume articulates will be of no help if you don't make art that connects with buyers.

You want to figure out how you want to play the guitar; what your niche would be. Well you just start digging deeper. When you're digging deeper in rock and roll you're on a freight train heading straight for the blues.

I think the sensitivity that you need to create certain things sometimes would spill over into things that shouldn't have bothered me.

My mother's the youngest of 10 children too, so we have sort of a special bond in that we know what that feels like. It's a strange spot to be in.