Often times it's really hard for me to articulate why I connect to something.

As a producer, you have an opportunity to see the whole and bring people together.

Often times it's really hard for me to articulate why I connect to something.

When I was young, before school, my father would wake me up and we would go running together. A love of being physical, being active and being outside was something he instilled in me.

I could draw ideas. I remember writing a paper for a seminar class. I remember writing a paper about - and this is going to sound really sort of pretentious, but that's where my mind was at the time - how acting and the performing artist can really be like a Bodhisattva, how they can communicate ultimately an idea in a way that can move and shift things. And that was wonderful. I didn't know many classes where I could try and relate the thing that I really loved and wanted to do into an intellectual idea, and that happened to be one of them.

I also think within the scene, a specific scene - if I were to play a part that I played 10 years ago now, my interpretation of that scene would be totally different. I would be making different choices. Because I can't somehow subtract all of the experiences that I've had in my life. And it's fascinating to see, because somewhere I'm very reflective in that. You know, I've been playing basically actually close to 40 years old, so I'm somewhere lost in age in this movie. But it's been fascinating to see that I can't subtract that time.

There's always an intellectual side to the films Ang Lee's doing and to the characters, and there's such a deep knowledge when you've worked with the actors that he's worked with, on stage in particular, but also in film.