Rather than, as an actor, I want the audience to like me, I'm going to smile beautifully and I've got everybody's sympathy - what about showing the moments when somebody is unbelievably petty? Or really selfish? The faults, the little things, those are the things that interested me about playing the character.

I think that there should be a Gaius Baltar Award for Moral Cowardice given out to people every year.

Whenever I hear somebody go, "I feel so religious right now!" I'm like, "Well, you're tying yourself up in knots, are you?" There's no spiritual connotation to that word whatsoever. And while it binds you to a rope, because it's about belonging, it alienates you to others. That can't be part of God's plan, if there is a God.

You can't find that moment when you became somebody else, because everything is in flux. So as it were, the torturous period where you are changing, you are transforming - I think that can be very hard on somebody's system. You don't necessarily realize that is what's happening.

I did worry about being in a science-fiction show. The bits that I was reading, I felt were funny, and I felt the man was childish, so I really did ask initially, "Is this for kids?" And the thing that came back immediately was like, "Hey, take a look at this whole thing again. This is definitely not for children. How can you think that?"

I think it was in my second week that I auditioned for Battlestar. I was very "Oh gosh, I want to be in television, I want to be in something, but I don't know if I want to be in this."

I went to Los Angeles, because I have a manager, and - I can't remember when, but we met in London maybe six months or a year beforehand, and he said, "Listen, if you really want to get a job out of L.A., you really need to come." And I was like, "Well, can't I send a tape or something?" And he was like, "No, no, you need to come."