With my guy, every now and then, he puts on a mask and does that, but he isn't that. Most of the time that we see him, he isn't that. Most of the time that we see him, he's fun to hang around with. I think that's unusual, to that extent.

Working with CGI is more like doing theater where your sort of imagining things. I didn't experience it as restrictive.

You know, what I didn't know was how many people in the tech world the original movie had such an impression on. That's really interesting to me because a lot of the people who created this technological revolution that we're all living through were kids when Tron came out, and they saw Tron and it impacted them.

The costumes, the light rigs and the effects are seamlessly joined. I'm kind of bummed that I don't get the experience that you get with just watching it cold. By the time we'd seen all the visuals put together, I'd sort of become used to that world. It's still pretty impressive.

I would want to keep that in a little glass sphere, perhaps in the corner of my living room, lit up. But, I think that's an extremely expensive rig. The costumes were crazy expensive, beyond anything they could afford to give you, to take away. They're going to be in a museum of some kind, on display until they get the go for Tron: Legacy 2. It would have been awesome to keep, though. I don't think there was anything that they could afford to let go. I probably would have been arrested.

With my guy, every now and then, he puts on a mask and does that, but he isn't that. Most of the time that we see him, he isn't that. Most of the time that we see him, he's fun to hang around with. I think that's unusual, to that extent.

Working with Joe [Kosinski], definitely. I loved working with Joe. For a guy who doesn't really come from the fiction world - he comes from advertising and architecture - he's extremely easy-going and very calm. He's extremely detailed, but a very generous and fun director to work with. He really encouraged me to find the fun in the part and to have fun with it.