X-Files wasnt a big show in England.

I am a little in awe of Jeff Bridges. He's an actor I have admired for many years, and so I didn't know who I was going to get, in the sense that I didn't know what he was going to be like. And so I was pleasantly surprised that he is this kind of laid-back guy.

Working with Joe [Kosinski], definitely. I loved working with Joe. For a guy who doesn't really come from the fiction world - he comes from advertising and architecture - he's extremely easy-going and very calm. He's extremely detailed, but a very generous and fun director to work with. He really encouraged me to find the fun in the part and to have fun with it.

Working with CGI is more like doing theater where your sort of imagining things. I didn't experience it as restrictive.

The acting in Downton Abbey has been consistently excellent across the board.

You know, what I didn't know was how many people in the tech world the original movie had such an impression on. That's really interesting to me because a lot of the people who created this technological revolution that we're all living through were kids when Tron came out, and they saw Tron and it impacted them.

I would want to keep that in a little glass sphere, perhaps in the corner of my living room, lit up. But, I think that's an extremely expensive rig. The costumes were crazy expensive, beyond anything they could afford to give you, to take away. They're going to be in a museum of some kind, on display until they get the go for Tron: Legacy 2. It would have been awesome to keep, though. I don't think there was anything that they could afford to let go. I probably would have been arrested.