In science fiction a fantastic event or development is considered rationally.

I don't really like movies that are all one or the other. It's really about the play between both of them. Now that I've said that, there's actually lots of movies that I like that are one or the other but it's just not for me as a filmmaker.

I don't know if there is any one secret to successful writing, but one important step is to move beyond imitation and discover what you can write that no one else can - that is, find out who you are and write that in an appropriate narrative and style.

I always like to think that I make movies that are like Nirvana songs. They have a slow verse and then they pop into high gear and then they go back into slow and then they pop into high gear again.

I love Groot so much I get teary eyed when I think of him sometimes. Essentially, all the Guardians start out the movie as bastards - except Groot. He’s an innocent. He’s a hundred percent deadly and a hundred percent sweet. He’s caught up in Rocket’s life, really.

In hard-core science fiction in which characters are responding to a change in environment, caused by nature or the universe or technology, what readers want to see is how people cope, and so the character are present to cope, or fail to cope.

I hope I'm still alive to see an expedition set off for Mars.