The living arrangements American now think of as normal are bankrupting us economically, socially, ecologically and spiritually.

The aggressive incoherence of our common surroundings can be described as entropy made visible. The way we have disposed things on the landscape leads us in the direction of disorder and death. They are categorically evil. These dispositions are destroying our only home-planet and other organisms that share it. They defeat our need to care about where we are and the things in place there. They prompt us to feel that civilization is not worth carrying on. They rob us of our identity and our will to live. These things are not about personal taste or style.

Detroit right now is virtually abandoned at its core to the degree that a lot of what had been slums thirty years ago are now wildflower meadows. The rebuilding of Detroit will occur a much smaller scale. It remains to be seen what will become of Detroit's vast suburbs.

Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.

The two elements of the suburban pattern that cause the greatest problems are the extreme separation of uses and the vast distances between things

I think the deeper truth is that the Kyoto Protocols will not be followed by anyone really and that, in effect, nothing will be done to reduce carbon dioxide and other greenhouse emissions.

[Suburbia] represents, after all, the greatest misallocation of resources in the history of the world. We built it during our most affluent period of history, and in the decades to come we will be comparatively destitute collectively. In short, we will not have the resources to retrofit most of suburbia.