Dagwood Bumstead was a great unrecognized hero of American literature. He showed up every day, he got knocked down every day, he never got to eat his sandwich every day, the dog jumped on him every day, his wife was giving him a hard time and he showed up every day.
James L. BrooksI always believe you can't kill good movies, because somebody's in some room and will die unless it gets made.
James L. BrooksYou become so obsessed, and that's not a bad thing for a movie. Serve it with that sense that it's the whole world.
James L. BrooksMedia reporting denied privacy to anybody doing what I do for a living. It was no longer possible to work on your picture in privacy.
James L. BrooksWhen you produce and direct your own film you havethe somewhat consoling feeling that the producer will kill for you.
James L. BrooksI think you have a pact with an audience in every picture, and I think the pact is to try and be truthful and to be real.
James L. Brooks[Screenwriting] is no more complicated than old French torture chambers, I think. It's about as simple as that.
James L. BrooksI love romantic comedy, but I think you have to have another idea that you're chasing along with romantic comedy.
James L. BrooksI've done it with Broadcast News-where there was no finish line, there was no agenda that I had to move all the characters to this point, that I was sort of open to what happens.
James L. BrooksKids in general make things fresh and alive and they have this great appreciation for, Holy mackerel, we're making a movie!
James L. BrooksYou have more and more people coming into the tent with the creative guys [on Hollywood films]. You have marketing and concept testers, advertising people. What you find gets the high numbers is easily appealing subjects: a baby, a big broad joke, a high concept. Everything is tested. The effect is to lessen the gamble, but in fact you destroy a writer's confidence and creativity once so many people are invited into the tent.
James L. Brooks