I always believe you can't kill good movies, because somebody's in some room and will die unless it gets made.

I had a marketing idea that everybody hated, decency is sexy.

I think you have a pact with an audience in every picture, and I think the pact is to try and be truthful and to be real.

Media reporting denied privacy to anybody doing what I do for a living. It was no longer possible to work on your picture in privacy.

[Screenwriting] is no more complicated than old French torture chambers, I think. It's about as simple as that.

I love romantic comedy, but I think you have to have another idea that you're chasing along with romantic comedy.

You have more and more people coming into the tent with the creative guys [on Hollywood films]. You have marketing and concept testers, advertising people. What you find gets the high numbers is easily appealing subjects: a baby, a big broad joke, a high concept. Everything is tested. The effect is to lessen the gamble, but in fact you destroy a writer's confidence and creativity once so many people are invited into the tent.