Having the kind of infinite loop of what a digital stream is - you can shoot for a long time without cutting - allows me to sometimes perform really exciting things.

I'd be really interested in making a dramatic, low-key 3D film.

There's a level of immersion that is perfect and there's a level that, for my taste, starts to actually exceed what the screen can provide. At that point, you're kind of overexceeding yourself.

If you respect the events and respect the real life tragedy, you can drive your film to address it in some mature way.

One of my favourite movies is Billy Wilder's 'The Apartment.' It's shot in super wide screen, and it's beautiful.

A fantasy film is often improved by some kind of human reality.

What I'm really focused on is the majesty of the best films I see are films that don't panhandle for an extra laugh later, but actually deliver the goods. And when the screen goes black, you go, Yes.