The boundary between real life and acting is hard to find.

My own sense and taste in 3D films has been I don't really like it when it feels like it's a gimmick and it's coming at me, it's flying at me.

The funny thing about me is I move from genre to genre, but I essentially shoot all the movies the same way.

As for the Folsom Prison show, ... would anybody have the guts to do that show now 50 Cent, maybe I think the whole idea of even playing to a crowd of people like that is so politically unfavorable now - it's like, 'What are you doing, singing for these people Do they deserve it' There's such anger in our culture right now, that kind of grace and forgiveness, we don't see that very often.

A fantasy film is often improved by some kind of human reality.

For me, making a lot of dramas on one side it's a different sort of challenge, and on the other, it's not a challenge at all, meaning that my goal is to try and bring the realism and acting you might find in a straight drama with the intentions and conflict, where it doesn't feel tongue-in-cheek, but rather committed and real.

Just because your leg might heal doesn't mean it doesn't feel broken. It doesn't mean that a car hitting your body doesn't hurt like the same it would hurt if a car hit your body.