The boundary between real life and acting is hard to find.

The funny thing about me is I move from genre to genre, but I essentially shoot all the movies the same way.

The idea of devoting two years of my life to making a corporate product that looks and smells and tastes like a lot of other things out there with just a different trademark character is a bore.

I'm really very lucky. I get to do an awful lot. I've been able to make an incredibly wide range of movies and work with an incredible array of people.

The one aspect I do love about digital is I love to push performance and I love to roll and roll and keep doing takes in a single performance.

My own sense and taste in 3D films has been I don't really like it when it feels like it's a gimmick and it's coming at me, it's flying at me.

If you respect the events and respect the real life tragedy, you can drive your film to address it in some mature way.