The idea of devoting two years of my life to making a corporate product that looks and smells and tastes like a lot of other things out there with just a different trademark character is a bore.

If you respect the events and respect the real life tragedy, you can drive your film to address it in some mature way.

The boundary between real life and acting is hard to find.

The one aspect I do love about digital is I love to push performance and I love to roll and roll and keep doing takes in a single performance.

I'd be really interested in making a dramatic, low-key 3D film.

What I'm really focused on is the majesty of the best films I see are films that don't panhandle for an extra laugh later, but actually deliver the goods. And when the screen goes black, you go, Yes.

Having the kind of infinite loop of what a digital stream is - you can shoot for a long time without cutting - allows me to sometimes perform really exciting things.