The funny thing about me is I move from genre to genre, but I essentially shoot all the movies the same way.

Filmmakers get into trouble when they're watching too many DVDs and quoting all the time.

The boundary between real life and acting is hard to find.

If you respect the events and respect the real life tragedy, you can drive your film to address it in some mature way.

We're all going to hell for the songs we sing.

The one aspect I do love about digital is I love to push performance and I love to roll and roll and keep doing takes in a single performance.

There's a level of immersion that is perfect and there's a level that, for my taste, starts to actually exceed what the screen can provide. At that point, you're kind of overexceeding yourself.