I'd be really interested in making a dramatic, low-key 3D film.

Movies aren't just supposed to be a representation of reality. They're supposed to be an art.

Just because your leg might heal doesn't mean it doesn't feel broken. It doesn't mean that a car hitting your body doesn't hurt like the same it would hurt if a car hit your body.

What I'm really focused on is the majesty of the best films I see are films that don't panhandle for an extra laugh later, but actually deliver the goods. And when the screen goes black, you go, Yes.

Having the kind of infinite loop of what a digital stream is - you can shoot for a long time without cutting - allows me to sometimes perform really exciting things.

You see the assets of your actors and you see their strengths and you try to play into them. It's like I feel part of my job is as a coach. I'm putting a team on the field and you want to formulate how to make the best game out of these players.

The funny thing about me is I move from genre to genre, but I essentially shoot all the movies the same way.