Making movies is really hard, and it can be humbling. And once you put them out into the world, you can't control how people will respond to it.
James PonsoldtI cannot control what you bring into the theater when you see the film. I can't control what my parents bring in. I can't control what some random person on Twitter brings in to the theater. All I can control is the hour and 50 minutes that the movie lasts, and try to give it absolutely everything I can.
James PonsoldtThis needs to work on that level, but it has the additional strain of it's going to be profoundly scrutinized by political junkies from the right and the left who will pick apart every little thing. We are inherently dramatizing Hillary Rodham, or Hillary Clinton, who's a very famous figure. There's a lot of biographies about her, but there's also elements that are private moments, that are dramatized with an arc, and we have to take creative license. Everything is sort of a cost-benefit.
James PonsoldtA lot of things, whether it's Brexit, the U.S. election, things that are happening on Facebook Live, the way that Twitter in many cases was weaponized, obviously for good but then obviously for bad, for proxy. Governments who use it to troll and give voice to conspiracy theories, white supremacists, et cetera. I think that's not going away.
James PonsoldtAnd I was constantly trying to stay in body, so to speak. It feels very surreal, and I go away to a happy place where I'm there but not really there. I was just trying to enjoy the night, I guess is what I'm saying. We had a lovely after-party.
James PonsoldtI think the irony of modern life is that our data, our highly personal information, has been taken from us, but in many cases it was given away freely by us. We willfully, consciously or unconsciously, acquiesced and gave it away for a new app, you know? For the products that we have. We didn't read the fine print, or don't even really care and didn't really check to see if we could opt out. No one had to steal it from us.
James Ponsoldt