We live within this reality we create, and we're quite unaware of how we create the reality. So the work is often a general koan into how we go about forming this world in which we live, in particular with seeing.

I’m interested that light has thingness itself, so it’s not something that reveals something about other things you’re looking at, but it becomes a revelation in itself.

I’ve always felt that night doesn’t fall. Night rises.

Science strives for answers, but art is happy with a good question.

Space has a way of looking. It seems like it has a presence of vision. When you come into it, it is there, it’s been waiting for you.

I like when you feel like you arrive in a very different place, with a different ordering of the reality you normally think of.

[My work] is using light as a material to influence or affect the medium of perception. I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.