I didn't have a knee-jerk reaction like some people did to the language and the violence. My stepfather was a history teacher at Lincoln High School in Dallas. So, I was already familiar with the N-word and the brutality of slavery. What I was drawn to was the love story between Django and Broomhilda and how he defends and gets the girl in the end. I thought it was just an amazing and courageous project.

I wish I could take what I'm feeling right now and put it in the water system, and we would all love each other.

In looking at Hollywood and its structure, the director controls the medium, and I want to be in control of certain things. I want to be able to get my own ideas and my own feelings out there, and the only way to do that is to be behind the camera.

When you're an actor or actress in this business, usually the natural progression is to direct, but a lot of times, we don't get a chance to get to it. Myself, I really want to get into it. I want to be the person who eventually doesn't have to be in front of the camera.

I'm a real person, and I'm angry. I'm trying to use this celebrity thing to get people some help. AIDS, poverty, racism - I want to be one of the hands that helps stop all that. I'll put it on my shoulders. I'll charge it to my account.

You gotta have the balls to go out there and be funny, man.

Now ballads, I can mess around and get up on somebody on a ballad. People ain't seen it yet, but I can mess around and get up in there. I've had Ruben Studdard up in my house, Brian McKnight, Tank. Every once in a while I throw down with them.