The layering of sound is by no means a two-dimensional process. Even though I've been doing it for a number of years, the diversity of it is so intriguing. It's a bit like traveling across the water. Though you may have done it time and time again it always hits you in a different way.

It's a despicable world we're living in now. It's the most disgusting time for music in terms of big wigs, guys who like playing the game. It's hard to get your stuff heard. I find it really annoying actually. I think my music would appeal to a lot of people but being on Warp in the States it's really hard to get radio play and exposure. We need to push this internet revolution forward quickly.

I guess I've always had such an identity crisis when it comes to other people's understanding of me. I don't feel it in myself but from an outsider's point of view, I can see they must be thinking, "Who the hell does this guy think he is?" But recently I've been thinking, okay, a white guy can't sing soul, but would a black person be made exempt from singing opera because it's not a tradition that belongs to them? It's the same kind of argument.

People can rock together, people can do great things together, and that's what you love when you're working with characters and it's all going well.

It's really hard to make something that doesn't sound like everything else.

I stopped going out and taking pills and I started hanging out and learning about flat eleven chords.

The most important thing for me - and the thing I get frustrated about when I don't achieve it - is momentum. Sometimes you hit on it quite naturally and other times it's a mad struggle.