Improvisation is risky. I like that. Another practical reason for that is that you have to go out and play every day on a tour. I couldn't do it if I thought I was going to do the same songs every day in the same order, like a full-on robot.

Accessible music is much harder. I could throw out the other kind of albums with my eyes closed. I wouldn't belittle those who want to do the Tricky thing, but it does make me wonder sometimes.

I stopped going out and taking pills and I started hanging out and learning about flat eleven chords.

If a shop has a lot of sections I'll end up putting my record above the James Blunt CDs since he ripped off my bloody artwork and he's selling millions of records! I try to get people to buy mine accidentally.

It's really hard to make something that doesn't sound like everything else.

I really wanted to maintain that bedroom philosophy to creating stuff. I don't believe the hype; I think a great record is because I put a lot of love into it. If people are feeling it, that's fantastic.

I find it quite difficult to analyze my own motives for things. I tend to go with a gut feeling in the moment.