When you disclose something really personal in hopes that the person will then disclose something personal, too? It's all there on camera, your techniques that everyone can see through.

When you disclose something really personal in hopes that the person will then disclose something personal, too? It's all there on camera, your techniques that everyone can see through.

And when I say [M2 was] lo-fi production, it was so great and grimy. I was used to that world anyway, because we shot in bars, we shot in thrift shops, we shot on the street. And the bars, they would have just opened, and still there was barf on the floor and beer. We certainly kept it real. It was a small crew.

Sometimes we were really surprised. There were major artists that would come by because they wanted to.

I'm a sucker for a man who giggles-not a high-pitched serial-killer sort of giggle, but a lighthearted laugh.

When someone shuts down on you... There were a couple of times of somebody that was just unpleasant, and you can't get them to loosen up. It's this horrible spiral when it's on camera, because you're trying to get them to like you, to trust you, to give you decent answers.

I got a unicorn horn on my head once. I said, "Can you really see that on camera?" My producer said, "You can see it from space." I would have to angle my head a certain way so that I didn't look misshapen on camera.