The worst was I had little control in terms of smoothing out my questions and making myself look good the way I could in print. All the ums and uhs and rambling and apologies and hyenalike laughter at something that really isn't funny. You know when an artist will crack a joke, and you're like, "That's so hilarious," like, the fawning laughter that you can at least cut when it's print? It's just all out there, and it's really humiliating.
Jancee DunnAnd when I say [M2 was] lo-fi production, it was so great and grimy. I was used to that world anyway, because we shot in bars, we shot in thrift shops, we shot on the street. And the bars, they would have just opened, and still there was barf on the floor and beer. We certainly kept it real. It was a small crew.
Jancee Dunn[MTV] just wanted a regular person that knew a decent amount about music.I'm so used to doing solitary interviews. You have some control - it's quiet, it's just you with your tape recorder and the person. Then when I was in front of the camera, I broke out in hives, which I continued to do well after I got the job.
Jancee Dunn[ Lenny Kravitz] is really handsome, and I know I should be objective and think about his music, but up close, he is a really good-looking guy. He was hugging me while I was trying to go to a video, and I completely... You turn into a giddy girl, and it was just horrifying, because he really smelled good, and just the whole package... It's just too much.
Jancee DunnColdplay was unknown, and we played them over and over and over again, and they were really loyal to us. They went on M2 way after they had broken and become famous, because they remembered us.
Jancee DunnWhen you disclose something really personal in hopes that the person will then disclose something personal, too? It's all there on camera, your techniques that everyone can see through.
Jancee DunnThe worst was I had little control in terms of smoothing out my questions and making myself look good the way I could in print. All the ums and uhs and rambling and apologies and hyenalike laughter at something that really isn't funny. You know when an artist will crack a joke, and you're like, "That's so hilarious," like, the fawning laughter that you can at least cut when it's print? It's just all out there, and it's really humiliating.
Jancee Dunn