Advances in technology have opened up possibilities in the cultural realm throughout history. I'm intrigued by developments in technology - as an artist it gives me a new palette to explore.

My whole career I've been interested by the distinction between an emotional and an intellectual response to an artwork.

In my regular life, I am very involved in commissions for cities and sometimes countries. And I think of public art as a team sport. The outcome is only possible with the interaction of all the players.

It's good for art to make us think, to give us a shared experience that creates a dialogue, makes us talk to each other, including strangers.

I believe people can have a profound experience by being surrounded by something beautiful - that's what I aim for. My sculpture is about the way you feel when you're standing under it and inside it. It's experiential art.

The most powerful part of the art is experiential, yet it's the hardest to describe because it's nonverbal.

The spaces I want to be in are nurturing and soft and saturated with color. Our cities don't have enough of that, and as humans we need it.