In history, in most cultures, and at most points in time, if you want to find the most advanced technologies, you can look principally in two places. One is weapons and the other is musical instruments. My hypothesis is that instruments are usually ahead of weapons. In fact, I think you can find many examples of instruments being predecessors of weapons and very few in the reverse.

In the Sixties, the hippies said "Make love, not war," and that was naive. But it might be less naive to say "Make music, not war," in the sense that the people who create musical instruments are the same people who make up new weapons.

Humans change themselves through technology.

Web 2.0 ideas have a chirpy, cheerful rhetoric to them, but I think they consistently express a profound pessimism about humans, human nature and the human future.

I would argue that among musicians who work in technology today, the level of technological sophistication probably exceeds that of military programs, to be blunt. They are just really smart people attracted to making strange new sounds.

Here’s a current example of the challenge we face. At the height of its power, the photography company Kodak employed more than 140,000 people and was worth $28 billion. They even invented the first digital camera. But today Kodak is bankrupt, and the new face of digital photography has become Instagram. When Instagram was sold to Facebook for a billion dollars in 2012, it employed only thirteen people. Where did all those jobs disappear to? And what happened to the wealth that all those middle-class jobs created?

Once you can understand something in a way that you can shove it into a computer, you have cracked its code, transcended any particularity it might have at a given time. It was as if we had become the gods of vision and had effectively created all possible images, for they would merely be reshufflings of the bits in the computers we had before us, completely under our command.