When developers of digital technologies design a program that requires you to interact with a computer as if it were a person, they ask you to accept in some corner of your brain that you might also be conceived of as a program.

There were studies that asked people in different cultures to draw pictures of their enemies, and the pictures all looked remarkably the same. They always had exaggerated canine teeth and a certain sort of expression. That led to speculation about whether at an earlier stage in the human experience we were hunted by some sort of carnivore.

In history, in most cultures, and at most points in time, if you want to find the most advanced technologies, you can look principally in two places. One is weapons and the other is musical instruments. My hypothesis is that instruments are usually ahead of weapons. In fact, I think you can find many examples of instruments being predecessors of weapons and very few in the reverse.

Every time we give a musician the advice to give away the music and sell the T-shirt, we're saying, "Don't make your living in this more elevated way. Instead, reverse this social progress, and choose a more physical way to make a living." We're sending them to peasanthood, very much like the Maoists have.

Once you can understand something in a way that you can shove it into a computer, you have cracked its code, transcended any particularity it might have at a given time. It was as if we had become the gods of vision and had effectively created all possible images, for they would merely be reshufflings of the bits in the computers we had before us, completely under our command.

If you love a medium made of software, there's a danger that you will become entrapped in someone else's recent careless thoughts. Struggle against that.

I think complexity is mostly sort of crummy stuff that is there because it's too expensive to change the interface.