My goal is that when the last song is over, and you're walking back to the parking lot, you're already on your phone searching to find the next show.

I got a hat deal with Resistol, where I have my own line of cowboy hats.

To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.

If you say, 'I'm going to cut this song because I know the teenagers are going to love it,' well, then you're going to alienate everybody else. When I cut my record, I'm just going to cut the things that I like, and whoever likes it, likes it. That's too much work to try to figure out the demographic. That's too much like a business.

I think it's important for artists to work together. It's great for fans to see, like, Ludacris came out to our show in Atlanta and kinda made a surprise appearance there, it shows a mutual respect for what each other does.

I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.

Capricorn was one of the homes of the Southern rock movement with the Allman Brothers and Charlie Daniels and the Marshall Tucker Band. I don't think you can come from that area and not be influenced by that stuff a little bit, no matter what generation you grew up in.