There's always this talk of the industry of music and about selling records and whatever, but that ignores probably the majority of music that isn't about trying to sell itself, that isn't about being connected to any industry. There's a huge amount of music where someone just happened to have a tape recorder and turned it on or hit the red button while they were in the back of church or recording something in their front room.

I don't make records for this medium with which we're going to sell it. The selling of it can never be more important than what you're actually making. There's too much of that in the world - in everybody's world, not just in music. There's too much, "Are you hip to this kind of stuff?" "Hey, this is cool." "Are you hip to it, because this is what we're selling today?" I think it's bullshit.

I just think there's an awful part of rock-'n-roll music where people kind of pretend they're young all their lives, you know? And they kind of live off past glories. Especially now there's kind of a trend where people are performing only their old albums, in their entirety, beginning to end.

I don't know if embarrassed is the right word, about pop, but I prefer the abstract and the distorted in music. And I keep writing these proper melodies and harmonies, and they're the bits that get thrown out of the records! And I have quite a collection.

I think it's essential to make new music now, and to try and make epic records now, and not rely on what happened in the past.

I'm obsessed with the science of music. I'm obsessed with the way you can string notes together and they can do something, and you play the same notes in another way and they do nothing. How the essence within songs - within words, within lyrics - finds its place.

My songs get to a stage where they resist any further change, you know? And that's kind of where they are, short of re-recording or starting again. That's kind of where it's gonna be.