I didn't understand anything about fashion until I moved to Canada when I was 9. That's when I learned English and was exposed to fashion magazines like Harper’s Bazaar and Vogue.

I don't know if I would want to come back as anything but me. I feel really satisfied. I don't really want to be anyone else. I just feel like I've gotten everything I signed up for as me. I'm happy as me.

As a designer you have to just do whatever you want to do. The second I came to terms with that, it transformed my work.

What I was interested in wasn't popular and young, but I never really deviated from doing it. I just decided that I was going to go full force into exactly what I wanted. I think there's a certain comfort that comes with age and experience, and when I got that, I think my work got better.

I miss All Stars, by the way. I was just telling people: how am I going to get by until January?

When I was 12 or 13 I already knew that I was gay. And then my interests were not conventional. So I was very different, in every sense of the word. And in an all-boys school, that's tough.

I realized the importance of archiving. So I save key pieces from my collections, as well as any red-carpet things that become iconic. I always ask for that stuff back. I'm like, "It's going in my archives."