Reading, I had learned, was as creative a process as writing, sometimes more so. When we read of the dying rays of the setting sun or the boom and swish of the incoming tide, we should reserve as much praise for ourselves as for the author. After all, the reader is doing all the work - the writer might have died long ago.

Agents and publishers only want one thing - good writing.

Maybe those sorts of yes-or-no life-and-death decisions are easier to make because they are so black and white. I can cope with them because it's easier. Human emotions, well. . .they're just a fathomless collection of grays and I don't do so well on the midtones.

Two minds with but a single thought, two hearts that beat as one.

We were developing a machine that used egg white, heat and sugar to synthesize methanol when a power surge caused an implosion. Owens was meringued. By the time we chipped him out the poor chap had expired.

After all, reading is arguably a far more creative and imaginative process than writing; when the reader creates emotion in their head, or the colors of the sky during the setting sun, or the smell of a warm summer's breeze on their face, they should reserve as much praise for themselves as they do for the writer - perhaps more.

I've got six months to sort out the hackers, get the Japanese knotweed under control and find an acceptable form of narcissus.