Research is necessary. However, you need to make sure you don't fall into its trap. You need to have time left for writing. To avoid the trap, I just throw myself into the abyss while at the same time being aware that if I'm dealing with information I don't know enough about, I have to go to someone and talk about it.

Research is necessary. However, you need to make sure you don't fall into its trap. You need to have time left for writing. To avoid the trap, I just throw myself into the abyss while at the same time being aware that if I'm dealing with information I don't know enough about, I have to go to someone and talk about it.

I read a lot of poetry. All types of poetry, but mostly Catalan poetry, because I believe poetry is the essence of language. Reading the classics, be they medieval or contemporary, gives me a stylistic energy that I'm very interested in.

I think that's true of real life - we don't ever know anyone completely. Secrets are very important to creating a narrative work that's believable. The characters come into that world with secrets, as happens to all of us. As honest as we try to be in our relationships, we can never completely know someone. From a narrative perspective it's very important and pleasing - you want to have those secrets there. The secret is an essential part of the creation of the novel.

For someone like you who's a British citizen this might seem strange. How can you ban a language? It turns out that you can. During the dictatorship it was illegal to speak Catalan. This is an experience that we Catalans have all had to varying extents. Some more tense than others, but it's something we all share.

I'm always reading, and you learn a lot by reading. When I was twenty-five, I read a lot, but didn't have much reading behind me.

Everywhere you go you find readers who are interested, even though the story takes place here in this very neighborhood. It doesn't matter that it takes place locally if the intention to make it universal is there. That's what I strive to do.