For someone like you who's a British citizen this might seem strange. How can you ban a language? It turns out that you can. During the dictatorship it was illegal to speak Catalan. This is an experience that we Catalans have all had to varying extents. Some more tense than others, but it's something we all share.

I take all my characters very seriously - the main, secondary, and supporting characters. Even if they only appear once, they still need to have their own life. Some characters are absent literally but at the same time very, very present.

What I strive to do is make my characters seem like real people so that the reader experiences them as people - that's something I've been working on all of my life. I couldn't have written this novel at twenty or thirty, for technical reasons - I didn't have the technique then - but above all because I didn't have the life experiences I have now at sixty-seven.

The reader has information about the characters that the characters themselves don't have. We all have our secret sides. Even I come to understand things about the characters only through the writing process, as I am going along.

I'm interested in how memory and power come together in evil. These are obsessions of mine that appear throughout, like the theme of music. I know at some point or another one of my obsessions will emerge. You don't know how much I save in psychiatrist bills with this writing!

I'm always reading, and you learn a lot by reading. When I was twenty-five, I read a lot, but didn't have much reading behind me.

Everywhere you go you find readers who are interested, even though the story takes place here in this very neighborhood. It doesn't matter that it takes place locally if the intention to make it universal is there. That's what I strive to do.