I moved to Hollywood when I was 18. I never saw it as a disadvantage in any way. Quite the opposite.

You have to offer sort of an evolution visually and do things like you've never seen before, like a fight between two men in a toilet on an airplane which was very exciting.

I will shoot on film as long as they make it.

Now that everyone's shooting digital they want the anamorphic to soften the look. You know, to make it more filmic.

Obviously in the close-ups we bring extras around or we do it later, but them running in and the big shots, they don't know. They're just coming out.

I think that everything changes when it goes through the Mac; it's cheap. I think people then don't pay too much importance to the take, if you can do 40 takes.

Anamorphic is very difficult because the distance from the lens to the person to focus is very long so you need a lot of distance from the camera to the person so that means that you need a lot of space.