I'm a New Yorker. I don't believe in air unless I can see it.

You must not think of yourself as looking at the stage from the audience. You must think of it as theatre in the round and look at it from all sides.

It's not just when you shoot, or what you shot, or where you shoot, it's the combination of the three.

A photographer's art is more in his perceptions than his execution. In a painter, I think the perception is only the first step, and then you have a kind of hard road of execution.

The more light you have in an image, the less drama you get. The details start taking over; the mystery is all gone.

Always wait for the trigger. The trigger is the final part of the puzzle, the reason you want to shoot.

Always shoot it now. It won't be the same when you go back.