There is no bad light. There is spectacular light and difficult light. It's up to you to use the light you have.

We don't experience light, color, and gesture in a vacuum. We experience it in contexts.

It's not just when you shoot, or what you shot, or where you shoot, it's the combination of the three.

If you don't have a camera, the best thing you can do is describe how great it looked.

Don't overthink things in front of you. I fit moves you, shoot it. If it's fun, shoot it. If you've never seen it before, shoot it.

Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.

When you shoot, that is opportunity number one to make a statement. When you edit, you have opportunity number two to make your statement. It could be an affirmation of your first choice or could go off in another direction.