Growing up with my brothers, I was like an accompanying mascot to them. The whole heritage and culture of soundsystems is all in my blood y'know? Then obviously from DJing, I just went onto building my own sound and producing my own music.

We, black British, were searching - as the first generation that was born and raised here - for our own identity. We already knew what the Caribbean thing was about. We grew up with the racial tension and unrest. They were either touching your head for good luck or kicking you down the stairs for being too dark. But that was part and parcel of how we grew up in London. But in terms of our identity, it was more about us claiming it y'know?

Music and fashion really do go hand in hand. This is even going back to the reggae days.

Black musicians were either trying to be American or trying to play down their Caribbean roots.

My radio show is actually the conclusion to my week. Which means there'll be 20% of what's happened to me during those five days, on my show. If I don't do my radio show I actually feel lost! It's like the bookends - the beginning and the end of the week and the whole thing comes together. So for me it is important.

While we travel as much as we do; this city is still really unique to us in terms of how eclectic it is. There's the variation of pockets when you're travelling around London that you don't necessarily find in the centre, but I'm talking about the city as a whole. For us, the inseparable links to the arts, being innovative and creative in an area like this is very transient as well.

I think the production thing was a stroke of luck really. But for me, I had to do it, as it was always part of the plan. But my biggest claim to fame was to recognize those who were at the time unrecognised. Soul II Soul was like a festival to all these artists who wanted to be a part of it. We travel to all these different destinations and everyone gets off where they need to.