It is not a question of skimming the surface of the art, it must be probed to its depths, for to seize upon superficial things only is to degenerate into mediocrity and obscurity.

If our ballets be feeble, monotonous and dull, if they be devoid of ideas, meaning, expression and character, it is less the fault of the art than that of the artist.

I should never conclude were I to speak to you of all the misfortunes which have their origin in the faulty carriage of the body. All these defects, mortifying for those who have contracted them, cannot be remedied except in their early stages. A habit born in childhood is strengthened in youth, becomes deeply rooted in adulthood and is incurable in old age.

A fine picture is but the image of nature; a finished ballet is nature herself.

At our theaters we only see feeble copies of the copies that have proceeded them, renounce that slavish routine which keeps your art in its infancy; examine everything relative to the development of talents; be original; form a style for yourselves based on your private studies; if you must copy, imitate nature, it is a noble model and never misleads those who follow it.

Applause lavished at a whim and without discernment, often proves the ruin of young people training for a stage career.

Dancing and ballets would undoubtedly take on a new lease on life, if the customs established by a spirit of fear and jealousy did not in some way close the path of glory.