On TV you can't show landscapes. You just can't. Even a postcard is better.

In the beginning there was not even talking. In movies, there was no need for that. Because it was more evident if there was no talking. Only in sports does there remain this fervor, which can even become violent. There's this desire to see something big.

There is no such thing as intellectual property.

I learned from Rossellini that you are rich even if you have a little money.

I like the idea of making films about ostensibly absolutely nothing. I like the irrelevant, the tangential, the sidebar excursion to nowhere that suddenly becomes revelatory. That's what all my movies are about. That and the idea that we're in possession of certainty, truth, infallible knowledge, when actually we're just a bunch of apes running around. My films are about people who think they're connected to something, although they're really not.

I don't know if I am free because I am happy or happy because I am free.

There are different kinds of painting, some with lights and some without, but still if you look at any painting here (in the light) and then over here (out of the light) it's an entirely different thing. The consciousness of this came to the Impressionists and I'm very interested in that.