I'm from the 'less is more' school. I had to be in the 'more is more' zone with 'Dallas Buyers Club', so I was out of my comfort zone, but I had to trust that.

Just film what's there, trust what came before, one hour before, and make it easy.

In a career, when you hit 40 and you've done a lot of this and that, you want to try some new things. I feel like that as a director, too, from one film to the other.

When I do a mix tape for my kids, for my friends, for my lover, I meticulously choose the tracks, and it's beautiful. And when they are alone they think of me - and when I am alone I think of them.

There's a way of filming where you can get rid of the vanity and of trying to make something beautiful.

I'm always aiming for some magic in films if I can find a mystical quality either in a song or in a moment or a character's intention.

You've got to trust your instincts, your judgment and trust the storytelling that came before and the quality of the acting with the emotion.