I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.

What is their potential for evil; what is their potential for wickedness? That's the only time that those characters become interesting to watch.

I've had some of the best craft services on independent movies, actually, because they get more creative, generally, with a smaller budget. The work is still the same. I didn't really notice the difference other than I was getting dressed behind a curtain, basically.

I'm always shocked that gay marriage is such a big deal. You have to realize how precious human life is, when there are tsunamis and mudslides, when there are armies and terrorists - at any moment, you could be gone, and potentially in the most brutal fashion.

My husband does so many romantic things for me, it's absurd.

Oh, this absolute loneliness and the game - loving to play the game, loving to go and tell stories to men that certainly weren't true, just for the sport of it, just to see how they would react.

It became very clear to the director that it would be foolish not to use our friendship. I had tried to talk to him about it because all the relationships in the film are so, not negative, but antagonistic. There's not a lot of love going around.