I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.

Oftentimes what happens is that the writer understands one character, but they don't understand the other one, and the other one ends up not being written as well.

I'm always shocked that gay marriage is such a big deal. You have to realize how precious human life is, when there are tsunamis and mudslides, when there are armies and terrorists - at any moment, you could be gone, and potentially in the most brutal fashion.

Compassion takes imagination.

I think for me, when I'm looking at a script I really try to consider what experience am I embarking upon, because for me it's really about the experience.

Even when I think about the fact that energy can become matter and matter can become energy, I have a very strong feeling that there's something afterward.

I said, wouldn't it be nice, instead of having these women fight with each other over men, which seems to be more of a cliche, wouldn't it be wonderful if they were the true comrades and it took these men much more time to infiltrate their friendships.