I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.

It became very clear to the director that it would be foolish not to use our friendship. I had tried to talk to him about it because all the relationships in the film are so, not negative, but antagonistic. There's not a lot of love going around.

By annihilating somebody else in whatever way, then that person feels that they also have the ability to, then, restore the person.

Even when I think about the fact that energy can become matter and matter can become energy, I have a very strong feeling that there's something afterward.

What is their potential for evil; what is their potential for wickedness? That's the only time that those characters become interesting to watch.

Compassion takes imagination.

When you have to play a character that seems to be a relatively decent person and seems to be like yourself, I think the trick in that kind of character, so that you don't become a cliche, is to find where their weaknesses are.