In the last 100 years since the invention of sound reproduction, music has really taken off and it is much more a common language because of records and transportation.

And as far as I'm concerned, it's like I say, drugs are not the problem. Other stuff is the problem.

Things come up from the outside, the outside world says, okay, you have do this, you have to go here and here and here, and these are your options. You can be here or you can be here. You can do this, or you can do this. You can go here, or you can go there. So each one of those things becomes a place of decision, and the way we make decisions is that we all get together and if somebody doesn't feel right about it or it doesn't seem to sit right, usually we'll go with the no vote. If somebody's not comfortable with it, we'll figure it's not going to be worth doing.

The information is there, you may not perceive it, but it does affect the lower orders. There are places where it just peaks out. It is like the color spectrum, it just simply goes beyond where you can perceive it any more but it is still going on. If you decide that the invisible continuation of the color spectrum is important to your sense of what reality is about, then you would want to extend it. Extend it as far as you could, as an aesthetic.

And the live show is still our main thing.

The nature of what we're doing is something, which is by its very nature, is non-formulaic. There's no way that you can make it happen by intention alone. It's something that you have to sort of allow it to happen, and you have to allow for it to happen.

In folk music, I've always been fond of the fragment. The song that has one verse. And you don't know anything about the characters, you don't know what they're doing, but they're doing something important. I love that. I'm really a sucker for that kind of song.