Though the blame cannot be placed entirely on publishers, I do think a more diverse pool of editors would go a long way toward broadening the perspective. Our role is to work together to create books that act as wide-open doors - books that allow all children to walk through and feel safe enough to stay.

I like to bring a certain sense of humanity and detail to my work, and watercolor allows me to do that. I have fascination and wonder about the line and transparent quality or properties in watercolor. I use watercolor to give voice to what I would like to talk about.

Receiving both the Coretta Scott King - Virginia Hamilton Award for Lifetime Achievement and the Laura Ingalls Wilder Award suggests I have succeeded, at least in terms of my own goals, in my intent to make art that moves children.

If you do the best work you can, the reward is ultimately your self-satisfaction - the sense that you have done the best you can. And then there's that piece of how others respond.

I feel the calmest when I'm drawing or when I'm creating images. I love connecting the mind with the hand and producing something - that is very comforting and centering for me.

African American writers and artists, by the very nature of what they do, will actually enhance or bring together people in a way that might be very, very healthy.

If I were to give myself a pat on the back, it would be for sticking with bookmaking as my primary way of expressing myself over the span of fifty years.