I feel the calmest when I'm drawing or when I'm creating images. I love connecting the mind with the hand and producing something - that is very comforting and centering for me.

I wanted to show that an African-American artist could make it in this country on a national level in the graphic arts. I want to be a strong role model for my family and for other African Americans.

I've always felt that if I worked hard enough and continued to refine my craft, while staying curious about our times and our world, I just might have something to contribute.

A sense of community has always been important to me. I understood very early that I could not grow as an artist or as a person without being connected to institutions and clients that served the community.

There's probably more of a struggle to get material and narratives published that really speak to black culture. And that has a lot to do with the mergers and buyouts and the corporations being more in control of the purse strings. We find that the projects have to come with higher expectations rather than books that just should be published. That's disturbing because we might find fewer and fewer children's books by African Americans or with black cultural themes.

I'm often in conversations with people who have learning disabilities, and they talk about how they were teased and perhaps laughed at sometimes as children. That was never the case with me. Maybe it was something about my personality, my temperament, but I don't ever remember being teased. I remember the awkwardness of leaving class to go to a special class, but that's all.

I visited the Museum of Modern Art and viewed the exhibition of Picasso's sculptures, and I couldn't help but think about what it would be like to have a room full of school children explore Picasso's approach to making art.