A sense of community has always been important to me. I understood very early that I could not grow as an artist or as a person without being connected to institutions and clients that served the community.

African American writers and artists, by the very nature of what they do, will actually enhance or bring together people in a way that might be very, very healthy.

I'm often in conversations with people who have learning disabilities, and they talk about how they were teased and perhaps laughed at sometimes as children. That was never the case with me. Maybe it was something about my personality, my temperament, but I don't ever remember being teased. I remember the awkwardness of leaving class to go to a special class, but that's all.

I've always felt that if I worked hard enough and continued to refine my craft, while staying curious about our times and our world, I just might have something to contribute.

I like to bring a certain sense of humanity and detail to my work, and watercolor allows me to do that. I have fascination and wonder about the line and transparent quality or properties in watercolor. I use watercolor to give voice to what I would like to talk about.

Receiving both the Coretta Scott King - Virginia Hamilton Award for Lifetime Achievement and the Laura Ingalls Wilder Award suggests I have succeeded, at least in terms of my own goals, in my intent to make art that moves children.

I like to talk about my challenges as they relate to all of us, and I try to leave them with a sense of what it feels like to succeed at something and to arrive at a goal. I talk a lot about finding that thing that you feel is important to you, that's your calling, and about the reward you will get from staying with it, no matter what the challenges are.