Drawing creates its own kind of private space. Coupled with certain interests that I want to speak to in my art, it's really kind of a safe haven for me. Creating art is not only a comfort zone, but also a way of speaking to my passions.

There's probably more of a struggle to get material and narratives published that really speak to black culture. And that has a lot to do with the mergers and buyouts and the corporations being more in control of the purse strings. We find that the projects have to come with higher expectations rather than books that just should be published. That's disturbing because we might find fewer and fewer children's books by African Americans or with black cultural themes.

I like to talk about my challenges as they relate to all of us, and I try to leave them with a sense of what it feels like to succeed at something and to arrive at a goal. I talk a lot about finding that thing that you feel is important to you, that's your calling, and about the reward you will get from staying with it, no matter what the challenges are.

I try not to respond with a pep talk, such as, "Everyone has talent, just try, you'll see." I skirt those kinds of answers.

Though the blame cannot be placed entirely on publishers, I do think a more diverse pool of editors would go a long way toward broadening the perspective. Our role is to work together to create books that act as wide-open doors - books that allow all children to walk through and feel safe enough to stay.

I like to bring a certain sense of humanity and detail to my work, and watercolor allows me to do that. I have fascination and wonder about the line and transparent quality or properties in watercolor. I use watercolor to give voice to what I would like to talk about.

Make it all about the work. Everything else will follow.