All knowledge is self-reflective.

The contemporary artist...is not bound to a fully conceived, previsioned end. His mind is kept alert to in-process discovery and a working rapport is established between the artist and his creation. While it may be true, as Nathan Lyons stated, 'The eye and the camera see more than the mind knows,' is it not also conceivable that the mind knows more than the eye and the camera can see?

The anticipation of discovering new possibilities becomes my greatest joy.

Photography is just light remembering itself.

Well, I do think, particularly the way I work, the better images occur when you're moving to the fringes of your own understanding. That's where self-doubt and risk taking are likely to occur. It's when you trust what's happening at a non-intellectual non-conscious level that you can produce work that later resonates, often in a way that you can't articulate a response to.

I have gradually confused photography and life and as a result of this I believe I am able to work out of myself at an almost precognitive level.

I've learned over the years that when you get a clue to another possibility to follow it through.