I think that voodoo as a spiritual tradition has been demonized for so long in popular culture. I wanted to write against that and write a character who practiced that spiritual tradition who was not evil and intent on creating zombies or causing pain through voodoo dolls or whatever.
Jesmyn WardI wanted to write about voodoo tradition that I feel has been very important to survival of black people here: people of the African diaspora, people of this region, and throughout the south.
Jesmyn WardWhen you have a family, even though you might move a lot, you collect all of these things. It's the detritus of your family and they become the symbols of your family life, and your unit out in the world. In that moment I wanted to allude to the fact that the way my parents' relationship was falling apart was impacting me and my brother, my parents, but also our symbols.
Jesmyn WardI feel like so much of what happened in the Delta over the decades since slavery was abolished seems much closer in the Delta, and maybe that's because sharecropping was a fairly recent phenomena. I feel like the past is closer and it bears even more heavily on the present there than it does in the rest of the state.
Jesmyn WardI see so many talented writers of color struggling to get their work out to an audience. I know that's the case for all writers - everyone's struggling for attention - but I do think that for writers of color it's harder, and for women it's harder, and for regional writers it's harder, too.
Jesmyn Ward